It has been said that on average, people in modern
society are exposed to roughly 3,000 advertisements over the course of a
24-hour time frame. At first, this might seem somewhat shocking, even absurd,
but if you pause and think about, it’s true! We live in a society dominated by
images and videos of everything from underwear to cars. Pretty much every
aspect of our lives can be advertised in some way, shape, or form. An article
written by Margaret Duncan entitled Sports
Photographs and Sexual Difference: Images of Women and Men in the 1984 and 1988
Olympic Games provided an in-depth analysis and critique on the inner
workings of the making of sports photographs. Duncan mentions that the
photographs are produced in a way that projects a story, which we, as the
consumers, read. More importantly, Duncan believes that photographs are
“subjected to artificial processes and social uses that make them as much
interpretations of reality as any other visual medium” (1990, 23). What makes a
photograph effective is its ability to serve as a commodity. For Duncan,
photographs are “objects of consumption in several senses” (1990, 24). The
notion of ‘pornography’ as a description of photographic advertisements is
echoed both in Duncan’s article as well as in this week’s reading entitled Consuming Faith: Advertising, the
Pornographic Gaze and Religious Desire. In this article Santana and
Erickson claim that the culture of consumerism “readily yields to the
pornographic gaze and its power to seduce buyers” (2008, 51). As an example,
the body positions, facial expressions, and emotional displays of women are
depicted in often-sexual ways in order to achieve a desired look that will
ultimately entice the consumer. As mentioned in lecture, advertising is
fundamentally rooted in stimulating desire for commodities in order to sell a
particular product. In this case, the objective of stimulating desire and
selling their product leads advertisers to create unrealistic images in order
to attract the consumer’s desire. This becomes problematic given that the
“pervasive use of women as commodified sexual objects in advertisements”
(Santana and Erickson 2008, 62) is so widespread in our society. Should
advertising agencies be penalized for using ‘pornographic’ advertisements? Are
these advertisements ultimately perpetuating a kind of gender norm that
strictly regard women as commodities to be used only for personal benefits or
satisfaction? Moreover, does advertising ‘distort our perception of beauty’ as exclaimed
in the Dove campaign below?
http://getsavedordietryin.tumblr.com/
ReplyDeleteThis post is in response to Daniel’s post “The Beauty of Advertising”.
It truly is overwhelming when we think about how bombarded with advertising we are. We’re so accustomed to these images and illusions forced down our throats by pop culture we forget these advertisements may not be what they seem. These images are heavily photoshopped and altered to depict something literally too good to be true. I agree with you, I’m often confronted with ads and left asking what was missing. I want to expand on the same point: Duncan’s mention that photographs are produced in a way to project a story or sell a commodity and the use of pornographic advertisements.
I always think we’ve reached new limits when it comes to advertising and the new false standards it can set. I love the bizarre marketing tactics of companies and agencies used that leave me asking “wait, what is this ad even for?!”. PETA is a personal favourite. Watch this ad:
PETA’s “Veggie Love” commercial - Banned from Superbowl XLVI
PETA (People for the Ethical Treatment of Animals) is an activist group focused on animal rights and the safety of our furry pet friends. They are most famous for promoting vegetarianism, animal rights and anti-fur campaigns (their followers are known for tossing red paint on fur-wearers). Their intentions are good and could be considered a type of public service announcement. However in their most recent stream of ads it’s difficult to tell exactly what they are promoting and whom to. PETA has been featuring supermodels and porn stars, dressed scantily (if at all) with tag lines like “Pleather Yourself”, “Touch The Buns and You’re Busted” or “Too Much Sex Can’t Be A Bad Thing”. First of all, they are heavily photoshopped and unrealistic. Second, they are completely unclear as to what they are advertising. The blatant use of naked women to help advertise animal rights doesn’t make sense. I would be more inclined to support PETA if they showed a graphic image of a poor slaughtered chicken. I don’t understand the message. Perhaps I’m not the target audience.
One PETA ad sparks particular interest in relation to this class. The ad “Angels Adopt, Never Buy” features supermodel Joanna Krupa. Completely naked, she floats with the help of wings and a halo, covering her nipples and genitalia with a large, pewter cross. Admiring dogs in a church surround her, gazing up to her naked saintliness. Yes, it’s very confusing. The commodity is lost in this ad. It doesn’t make me want to adopt a pet, or go to church, or become a porn star. There is nothing in this ad that speaks to the actual message about why adopting a pet is better than getting one from a breeder or puppy mill. Will I then be turned into a sexy angel? Will dogs like me? Are the dogs supposed to be a metaphor for men? Or is this targeted at men who, by adopting a dog, would then score a saint like Joanna Krupa, naked with a cross and all?
I’m not offended by the ad for the blatant appropriation of religion, I’m not upset about it as a woman either really. I’m upset because illusion is supposed to be clever but it’s just flat out weird. Selling ideology, whatever ideology that is, requires spiritual marketing. How that spirituality manifests varies, but you can really sell any illusion if you have created enough aura as these ads demonstrate. I highly recommend you investigate more of their advertising on your own!